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备注：已完结
类型：电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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备注：已完结
类型：动画电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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备注：已完结
类型：恐怖片
主演：Silvia Solar Gérard Lemaire Pamela
导演：Alain Deruelle Olivier Mathot Julio Pérez Tabernero
语言：法语
年代：未知
简介： After botching a kidnapping, two criminals hide with their victim in a friends house in the jungle. After one of them rapes the friend's wife, they're left to be eaten by a nearby cannibal tribe.
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备注：已完结
类型：电影
主演：尼克·弗罗斯特 艾丽西亚·希尔维斯通 凯文·康诺利 盖特·杨森 沃尔特
导演：Steffen Haars Flip Van der Kuil
语言：英语
年代：未知
简介： 打破荷兰影史票房纪录的荷兰喜剧奇才双人组史特芬哈尔斯、菲利普凡德库尔，首部英语剧情长片《欢肖一箩筐》谐仿八、九〇年代电视情境喜剧，邀来《活人甡吃》「血腥冰淇淋三部曲」英国知名喜剧演员尼克佛罗斯特化身虔诚教徒，却总是把全家搞得鸡飞狗跳，从水龙头故障的小事，竟演变成房子危在旦夕、儿女染上毒瘾，连俄罗斯水电工都掏枪露出真面目，他向神发出求救信号却无果，只好直视内心疯狂念头，先宰了耶稣再杀个片甲不留。片中种种悖德刻板印象与政治不正确情节，极尽所能讽刺基督教义，大玩图像形式和画面比例之余，更挥洒血腥惊悚风格，喷血爆头样样来，令人乐得大笑，也吓到尖叫。
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备注：已完结
类型：恐怖片
主演：尼克·弗罗斯特 艾丽西亚·希尔维斯通 凯文·康诺利 盖特·杨森 沃尔特
导演：Steffen Haars Flip Van der Kuil
语言：英语
年代：未知
简介： 打破荷兰影史票房纪录的荷兰喜剧奇才双人组史特芬哈尔斯、菲利普凡德库尔，首部英语剧情长片《欢肖一箩筐》谐仿八、九〇年代电视情境喜剧，邀来《活人甡吃》「血腥冰淇淋三部曲」英国知名喜剧演员尼克佛罗斯特化身虔诚教徒，却总是把全家搞得鸡飞狗跳，从水龙头故障的小事，竟演变成房子危在旦夕、儿女染上毒瘾，连俄罗斯水电工都掏枪露出真面目，他向神发出求救信号却无果，只好直视内心疯狂念头，先宰了耶稣再杀个片甲不留。片中种种悖德刻板印象与政治不正确情节，极尽所能讽刺基督教义，大玩图像形式和画面比例之余，更挥洒血腥惊悚风格，喷血爆头样样来，令人乐得大笑，也吓到尖叫。
