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备注：已完结
类型：其他综艺
主演：AC DC Beck Tony Bennett Mary J. Bli
语言：英语
年代：未知
简介： 第57届格莱美奖颁奖典礼于2015年2月8日晚在美国加利福尼亚州洛杉矶斯台普斯中心举办[2]。颁奖典礼由CBS现场直播。本届格莱美奖中的作品须在2013年10月1日至2014年9月30日之间发行才可获得报名资格。 最终提名于2014年12月公布，山姆·史密斯、碧昂丝和法瑞尔·威廉姆斯三位歌手分别获得六项提名，是本届格莱美奖提名最多的艺人。而山姆·史密斯获得包括“年度制作”、“年度歌曲”和“最佳新人”三个一般类奖项在内的四项大奖，成为当晚的最大赢家，碧昂丝、法瑞尔·威廉姆斯、贝克和罗珊·凯许四人各获得三项大奖位列其后。本届格莱美奖颁发出83个奖项，比前一年增加一项。 MusiCares年度人物于格莱美颁奖前两天的2月6日颁发给鲍勃·迪伦，这项奖项作为“格莱美周”的一部分，与格莱美奖同样由美国国立录音艺术科学学院颁发。（整理：@蓝影志）
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备注：已完结
类型：喜剧片
主演：弗兰克·奥兹 Frank Oz 安迪·麦克道威尔 Andie MacD
语言：英语
年代：未知
简介：The Muppets are back in a new zany comedy, Muppets from Space. The Muppets embark on a hilarious extra terrestrial adventure in hopes of finding out about Gonzo's family members are aliens from a distant planet! Gonzo then gets a message that his relatives are coming for a visit, from outer space! But when word gets out on Miss Piggy's talk show, UFO Mania, that the friendly aliens are coming, a secret government agency led by K. Edgar Singer (Jeffrey Tambor) captures Gonzo and goes to great lengths to learn when his extra-terrestrial family will arrive. Now only the Muppets, led by Kermit and Miss Piggy, can save Gonzo and make the world safe for a friendly alien invasion!
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备注：已完结
类型：剧情片
主演：马克·伯曼 安吉拉·科雷亚 多米妮克·桑达 Walter Quiroz
导演：费尔南多·索拉纳斯
语言：其它
年代：未知
简介： 十七岁的马丁（Walter Quiroz 饰）在家乡火地岛上日日过着乏味的生活，他对陈腐破败的学校毫无兴趣，和继父的关系又紧张，唯一给他希望的，是亲生父亲创作给他的连环画，画中记录着拉美大陆种种神奇的景象。马丁的女友意外怀孕，但迫于家长压力要打掉孩子并与马丁分手，愤怒的马丁丧失了留在家乡的最后理由，他收拾行装，踏上拉美大陆，开始了北上寻找生父游历美洲的旅程。马丁见识了洪水中的布宜诺斯艾利斯，经过了蛮荒的安第斯山脉……一路上，一个未知是幻觉还是真实的红衣姑娘多次现身，令马丁的神奇之旅愈发空灵。马丁沿路搜集生父的消息，同时也越来越深入到拉丁美洲大陆的幻想与现实中去。
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备注：已完结
类型：爱情片
主演：朱莉娅·罗伯茨 坎贝尔·斯科特 文森特·多诺费奥 科琳·杜赫斯特 大卫
导演：乔·舒马赫
语言：
年代：未知
简介：一次偶然中，希拉里（朱莉娅·罗伯茨JuliaRoberts饰）得到了一份看护的工作，她所要看护的对象是一位名叫维克托（坎贝尔·斯科特CampbellScott饰）的百万富翁。维克托患上了白血病，需要接受化疗，在希拉里的精心看护下，他的病情渐渐好转，两人之间亦产生了深厚的感情。一日，维克托突然将希拉里带到了位于海边的小镇上，两人在那里度过一段幸福而温馨的时光。好景不长，卷土重来的病痛让维克托陷入了痛苦中，而他为了隐瞒病情竟然开始偷偷注射吗啡止痛。希拉里发现了维克托的秘密，伤心的她恳求他继续接受治疗，没想到后者断然拒绝。难道病魔真的要将这对心心相印的情人残忍的分开吗？
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备注：已完结
类型：剧情片
主演：扬·利比切克 瓦茨拉夫·巴布卡 约瑟夫·贝克 Karel Belohr
导演：埃瓦尔德·朔尔姆
语言：其它
年代：未知
简介：This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.
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备注：已完结
类型：剧情片
主演：拉多万·卢卡夫斯基 古斯塔夫·瓦拉赫 艾米丽娅·瓦萨约娃 威廉·波洛尼
导演：爱德华·格莱纳
语言：其它
年代：未知
简介：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
