备注:已完结
类型:剧情片
主演:帕斯卡·欧吉尔 切基·卡尤 法布莱斯·鲁奇尼 维尔日妮·泰弗内 克里斯
导演:埃里克·侯麦
语言:法语
年代:未知
简介:和导演埃里克·侯麦往常的影片一样,该片讲述了一个女孩徘徊在多个男人之间企图寻找自我的故事,通过人物之间的大量对话细腻而又真实的展现了男人和女人之间充满了变数的感情世界,虽为喜剧,亦展现了情感的无奈和多变,发人深思。 路易斯(帕斯卡·欧吉尔 Pascale Ogier 饰)天性活泼善变,从艺术院校毕业之后,她同对她忠心耿耿的男友订了婚。然而,平静的感情生活让喜欢追求刺激的路易斯感到十分空虚,拥有着姣好面容的她深信自己在异性之中的魅力不减,因此,她义无反顾的决定结束和未婚夫的同居生活,返回巴黎。在那里,珍娜先后邂逅了数个不同的男人,在一连串的矛盾和波折面前,她终于领悟到了什么才是生命中最珍贵的东西。
备注:已完结
类型:剧情片
主演:汤姆·汉克斯 伊万·麦克格雷格 阿耶莱特·祖里尔 斯特兰·斯卡斯加德
导演:朗·霍华德
语言:
年代:未知
简介:本片根据美国畅销作家丹•布朗的同名小说改编。欧洲核子中心的科学家维多利亚•维特勒(阿耶莱特•祖瑞尔AyeletZurer饰)与父亲在高速粒子对撞机实验中收集到了反物质,却发现父亲遇害,尸体胸口被烙“光照派”符号,高爆炸性的反物质被偷走,出现在正待选新教皇的罗马梵蒂冈,威胁天主教廷及整个罗马的安危。于此同时,四位主要教皇候选人的红衣主教神秘失踪。在教皇内侍(伊万•麦克格雷格EwanMcGregor饰)的授意下,哈佛大学的符号学专家罗伯特•兰登教授和维多利亚都被请到梵蒂冈协助罗马警察开展搜寻行动。兰登说服罗马总探员奥利维迪(皮耶法兰西斯柯•法维诺PierfrancescoFavino饰)依照“土、气、火、水”的提示在罗马的名胜教堂间与“光照派”展开了时间战……
备注:已完结
类型:喜剧片
主演:耶日·斯图尔 莫格莎塔·札柯夫斯卡 艾娃·珀卡斯 斯特凡·希泽斯基 耶
语言:其它
年代:未知
简介:菲腊花了两个月的薪金买下八米厘摄影机,本想纪录刚出生女儿的成长,但厂长却要求他为单位服务,拍摄联欢晚会;误打误撞下,居然给他在电影节里捞了个奖。他登时雄心万丈立志成为纪录片大师,冷落娇妻也在所不计。但镜头下的真实却不是人人吃得消。当人民英雄的代价是好同事成了活靶,最後菲腊要在成名与道义之间作取舍。
备注:已完结
类型:剧情片
主演:耶日·泽尔尼克 维斯瓦娃·马祖尔凯维奇 芭芭拉·布雷尔斯卡 Barba
导演:耶尔齐·卡瓦莱罗维奇 Jerzy Kawalerowicz
语言:其它
年代:未知
简介:公元前11世纪,古埃及面临多重困难,外部有亚述人的战争威胁,又欠下腓尼基商人的大笔债款,国家濒临破产,人民穷困潦倒。拉美西斯十二世病重去世,他的儿子拉美西斯十三世被宣布为法老继承人。为了阻止埃及的迅速衰落,年轻的拉美西斯十三世决定夺取世世代代存放在神庙中的宝藏,将其用于社会改革和对亚述发动战争。但神职人员反对他的计划,祭司和年轻的法老之间开始了政治和宗教斗争。
备注:已完结
类型:动作片
主演:查理兹·塞隆 詹姆斯·麦卡沃伊 埃迪·马森 约翰·古德曼 托比·琼斯
导演:大卫·雷奇
语言:
年代:未知
简介:影片根据安东尼·约翰斯顿(AntonyJohnston)的同名小说改编,讲述了“冷战”结束前的间谍行动:1989年,民主德国局势发生急剧变化,“柏林墙”面临拆除的命运,但此时也是最黑暗的时刻,各种暗杀行动时有发生。一位英国军情六处的地下官员在柏林遇刺,他掌握了从民主德国带回来的一份间谍名单,但杀手在他身上并未找到。一位名叫洛林·布劳顿(塞隆饰)的特工,肩负起找回这份间谍名单的任务。此前曾报道,导演雷奇和斯塔尔斯基将会拍摄《疾速追杀》续集,基努·里维斯在内的主演均将回归。但在拍摄该片之前,两人会先着手将这部女性角色挑大梁的动作惊悚片搬上银幕。
备注:已完结
类型:欧美动漫
主演:大卫·罗尔 布莱丹·格里森 丽莎·汉尼根 菲奥纽拉·弗拉纳根 露西·奥
导演:汤姆·摩尔
语言:
年代:未知
简介:在一个风景如画的海中小岛,小男孩本(大卫·罗尔DavidRawle配音)和怀有身孕的母亲布罗娜(丽莎·汉尼根LisaHannigan配音)渡过了最后一个快乐而难忘的夜晚。不久后,妹妹西尔莎(露西·奥康奈尔LucyO’Connell配音)出生,而母亲却撒手人寰。转眼过了六年,他们的父亲康纳(布莱丹·格里森BrendanGleeson配音)始终未从丧妻之痛中走出,而充满幻想的西尔莎偶然发现妈妈留下的贝笛,结果险些溺毙大海,最终导致奶奶强制性地将两个孩子带离这座小岛。兄妹俩无法适应城市的生活,他们在街道游走的时候,意外遭遇了三个奇怪的小精灵。他们希望借助“海豹女”西尔莎的歌声回到故乡,神奇的冒险就此展开……本片根据爱尔兰的民间传说改编。
备注:已完结
类型:剧情片
主演:帕斯卡尔·普缇 安德丽·帕里西 雅克·夏里尔 洛朗·特兹弗 让-保罗·
导演:马塞尔·卡尔内
语言:法语
年代:未知
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.