-
备注：已完结
类型：电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
-
备注：已完结
类型：欧美剧
主演：布莱恩·科兰斯顿 弗朗基·穆尼兹 简·卡兹玛拉克 克里斯托弗·马斯特森
语言：
年代：未知
简介：《马尔柯姆的一家》是美国福克斯广播公司的一部情景喜剧，由林伍德·布默原创，曾七次获得艾美奖、一次获得格莱美奖、7次获得金球奖提名。剧集在2000年1月9日开始播映，至2006年5月14日第7季播映完毕历时6年半。剧集的主人公是马金（Malcolm，弗朗基·穆尼斯饰），他在四兄弟中排行第三（第五季志明出生后共有五兄弟），父母分别是夏尔（Hal，布赖恩·克兰斯顿饰）和露丝（Lois，简·卡奇马雷克饰）。家中长子范斯（Francis，克里斯托弗·马斯特森饰）离家在军校就学，列斯（Reese，贾斯廷·贝菲尔德饰）、马金和杜尔（Dewey，埃里克·佩尔·沙利文饰）留在家中，马金在家里的三兄弟中排行中间，剧集也因以得名（MalcolmintheMiddle直译为马尔科姆在中间）。剧集前期集中描述作为天才青少年的马金如何面对古怪的生活，后期则逐渐更深入地探讨剧中其他人物。
-
备注：已完结
类型：动画电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
-
备注：已完结
类型：欧美剧
主演：弗朗基·穆尼兹 布莱恩·科兰斯顿 贾斯汀·贝菲尔德 简·卡兹玛拉克 克
语言：
年代：未知
简介：Anoffbeat,laughtrack-lackingsitcomaboutabizarrelydysfunctionalfamily,thecenterofwhichisMalcolm,themiddleofthetwobrotherswhostillliveathome.Hiseldest(andfavorite)sibling,Francis,boardsatmilitaryschoolbecausehisparentsbelieveitwillreformhimandkeephimoutoftrouble.Malcolmoftenhasahardtimecopingwithhisfamilylife,buthehasmoretroublestocontendwithwhenhestartsreceivingspecialtreatmentatschoolafterbeingdiagnosedasanintellectuallyadvancedgenius.
-
备注：已完结
类型：欧美剧
主演：阿隆·阿布布尔 Damson Idris 阿明·约瑟夫 艾米莉·里奥斯
语言：
年代：未知
简介：被正式预订的FX剧《白粉飞Snowfall》首季为10集，该剧由JohnSingleton创作，故事关于1980年代洛杉矶的毒品交易蔓延。《BoyzNTheHood》导演Singleton和EricAmadio联合创作剧本，AdilElArbi与BilallFallah导演。这试映集经过重拍，找来DaveAndron当制作人，另外该剧抽中了税务减免。《白粉飞》设定于毒品蔓延初期，最终众所周知影响到文化层面。FranklinSaint（DamsonIdris饰）认为自己是个街头「企业家」，渴望权力；他在洛杉矶南区出世及成长，不过在圣盖博谷地区的较优地区学习，他决心用一切手段改善自己的生活。GustavoZapata（SergioPeris-Mencheta饰），一位墨西哥摔跤手，陷入一个犯罪家庭的权力斗争。TeddyMcDonald（CarterHudson饰）是个CIA情报员，有着黑暗的秘密，正进行一个秘密﹑非局内的行动，以资助尼加拉瓜反政府活动。EmilyRios饰演Lucia，身在洛杉矶墨西哥犯罪家庭，但洁身自爱的女儿，该犯罪家庭偷运大麻进洛杉矶，并在此地贩毒。MichaelHyatt饰演SharonSaint，别称Cissy，是Franklin的妈妈。不爱废话的她在个人及职业生涯都过得不如意，不过她甘愿放弃自己梦想来给予儿子自己没得到过的机会。AminJoseph则饰演Franklin的叔叔JeromeSaint，一个在监狱的硬汉兼骗子，是个低层的大麻贩子。AlonAboutboul饰演AviDrexler，一个在圣费尔南多谷﹑不可预测的可卡因贩子。IsaiahJohn角色设定不详。AngelaLewis饰演LouiseSaint，是Franklin的姨子，喜欢混迹派对﹑JuanJavierCardenas饰演老谋深算的AlejandroUsteves，尼加拉瓜反抗军的人，为了保持革命而愿意不择手段。FilipeValleCosta饰演自大的Pedro，是墨西哥犯罪家庭继承人。
-
备注：已完结
类型：电影
主演：Philip Brodie Nicola Posener
语言：英语
年代：未知
简介： 主人公威尔（Richard McWilliams 饰）和他的父亲过着宁静的田园生活，然后他的父亲被一头龙杀死，威尔不得不离开山上的家园，来到了与家族有着悠远联系的斯特林，向生活在那里的领主和骑士寻求帮助。 威尔的到来并不受欢迎，他被派去在斯特林庄园的农场里进行艰苦的工作。然而，他很快结识了斯特林庄园里任性的女儿凯特（妮可拉·珀塞纳 Nicola Posener 饰），两人成为了朋友。他们共同努力揭开连接两个家族的神秘秘密，同时也为威尔准备面对龙的决战做好准备。在这场决战中，威尔将寻求复仇，报复那头杀死他父亲的龙，并证明自己已经长大成为一个真正的男人。影片强调了主人公的成长和坚韧精神，带领观众进入一个充满挑战和冒险的世界。
