备注:已完结
类型:动作片
主演:海伦·斯雷特 基斯·戈登 克里斯蒂安·史莱特 理查德·布拉德福德 彼德
导演:马修·罗宾斯
语言:英语
年代:未知
简介:Average Texas teen, Billie Jean Davy, is caught up in an odd fight for justice. She is usually followed and harrased around by local boys, who, one day, decide to trash her brother's scooter for fun. The boys' father refuses to pay them back the price of the scooter. The fight for fair is fair takes the teens around the state and produces an unlikely hero.
备注:已完结
类型:恐怖片
主演:罗伦·荷莉 兰斯·亨利克森 埃里克·F·亚当斯 Marcelle Ba
导演:史蒂芬·C·米勒
语言:
年代:未知
简介:某大学实验室,在一次针对爱尔兰中世纪文化的考古过程中,谢拉·惠兰教授(马歇尔·贝尔MarcelleBaer饰)和助手们偶然发现一个制作精巧的盒子。他们小心打开盒子,却发现里面竟是一颗丑陋怪异的头颅。更为恐怖的是,头颅发出恐怖的吼叫,致令实验室的器材遭到破坏,现场的人员也受到不同程度的损害。然而一切还未结束,他们仓促鲁莽的举止释放了已沉睡近两百年的恐怖女妖。谢拉和他的助手从此被女妖所跟踪,恐怖的事件接连发生。根据爱尔兰的古老传说,凡是听到女妖喊叫的人,必将不久于人世……
备注:已完结
类型:剧情片
主演:Marcello Fonte Chabeli Sastre Ludov
语言:其它
年代:未知
简介: Scared of life and lacking the courage to be himself, Ludovico lives hidden away in his grandmother's old apartment. One night, the wickedness of the world goes to visit him in the form of Jack, a boy who is Ludovico's age but has the opposite character: hard, determined, perhaps criminal. The forced cohabitation of two human beings who couldn't seem more different from one another turns into an initiation rite to adulthood, the discovery of their true and respective personalities. And when the harsh reality that is mercilessly stalking them appears to present the bill, they will have to face it, bolstered by a new awareness and unhoped-for courage.
备注:已完结
类型:喜剧片
主演:弗朗索瓦丝·罗赛 安德烈·阿莱尔姆 让·缪拉 路易·茹韦 Lyne C
导演:雅克·费代尔
语言:法语
年代:未知
简介:Released in France as La Kermesse Heroique, Carnival in Flanders is set during the long-ago war between the Dutch and Spanish. A tiny village in Flanders is invaded by Spanish troops. The townsfolk have heard of Spanish cruelties in other towns, and decide to deflect the vanquishers by playing dead. This isn't terribly effective (you have to take a breath once in a while), so the wife of the burgomaster tries to soften up the invaders with a lavish carnival. So successful is this venture that the Spaniards allow the village to escape being decimated, or even taxed. An award-winner many times over, Carnival in Flanders was banned in Germany; evidently, Goebbels caught on that director Jacques Feyder and scenarists Bernard Zimmer and Charles Spaak were drawing deliberate parallels between the Spanish and the then-burgeoning Nazis.
备注:已完结
类型:剧情片
主演:萨姆·德·格拉斯 Francelia Billington 埃里克·冯
导演:埃里克·冯·施特罗海姆
语言:英语
年代:未知
简介:Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.