备注:已完结
类型:战争片
主演:卡米拉萨齐奥 罗伯托范隆 Benjamin Emanuel Raymo
导演:罗伯托·罗西里尼
语言:意大利语,英语,德语
年代:未知
简介:本片以第二次世界大战末期,在意大利登陆的美军攻破德军防线为背景,导演以令人感动的场面把美军从南部攻到北部期间所引发的一些意大利民间故事编成一部有连贯性的社会写实的电影,画面上的真实感,给予人们非常大的冲击,创下了意大利电影的新潮流……大师罗西里尼的战后三部曲的第二部,第一部是《罗马,不设防的城市》,最后一部是《德意志零年》。作为新现实主义的奠基人,罗西里尼几乎不使用剧本,并明确拒绝使用摄影棚、服装、化妆和职业演员。影片由6个小故事组成,背景是二战后期盟军在意大利登陆后攻破德军防线,从南部向北部进攻期间引发的一些民间小故事。罗西里尼在摄影机前重现了美国大兵,游击队员、修道士,妓女,以及普通平民在那个烽火连天的岁月里的真实遭遇,影片穿插了很多真实的战争镜头,令观众感同身受。
备注:已完结
类型:剧情片
主演:大卫·杰森 马克·沃伦 米歇尔·道克瑞 大卫·沃纳 托尼·罗宾逊 奈格
导演:瓦蒂姆·吉恩
语言:英文
年代:未知
简介:故事发生在一个名为迪斯科的异想世界之中。一年一度的Hogswatchnight即将到来,这是这个世界里最为盛大和隆重的一个节日。每逢此佳节到来,圣猪老爹(多米尼克·波雷里 Dominic Borrelli 饰)都会骑着野猪拉的雪橇,挨家挨户满足孩子们许下的愿望。然而这一次,圣猪老爹却似乎遇到了麻烦。 神秘组织派出了杀手Teatime(马克·沃伦 Marc Warren 饰)追杀圣猪老爹,因为后者的存在严重扰乱了这个循规蹈矩的世界的规律。Teatime绑架了牙仙(西妮德·马修斯 Sinead Matthews 饰),令所有孩子忘记了圣猪老爹的存在。在这个节骨眼上,死神(伊安·理查德森 Ian Richardson 饰)挺身而出接替了圣猪老爹的工作,与此同时,死神的孙女苏珊(米歇尔·道克瑞 Michelle Dockery 饰)也在努力的找寻着圣猪老爹的...
备注:已完结
类型:剧情片
主演:纳萨鲁丁·沙 莉蕾特·杜贝 莎法莉·什提 维贾伊·拉齐 蒂洛塔玛·索姆
导演:米拉·奈尔
语言:英语
年代:未知
简介:印度新德里的一家人正在筹备女儿阿迪特(瓦塞达拉Vasundhara Das 饰)出嫁的婚礼。父亲拉里特(纳萨鲁丁•沙 Naseeruddin Shah 饰)为她选定的如意郎君是从美国留学回来的富商之子海蒙特。然而,阿迪特并不开心,因为她还有一个在电视台做主持人的情人,并且是个有妇之夫。所以她一面在父母的督促下准备婚礼,一方面又要偷偷跟意中人约会…… 婚礼还改变了很多人的命运:婚礼设计师杜比跟女仆爱丽丝机缘巧合,堕入爱河;阿迪特的表妹跟澳大利亚的留学生打得火热;阿迪特的姑丈泰迦表示要资助她的表姐丽尔出国留学。然而,丽尔并不领情,反而极力反对女儿跟泰迦相处,因为她隐瞒了一段不堪回首的往事…… 本片获第58届威尼斯电影节最佳影片金狮奖。
备注:已完结
类型:剧情片
主演:杨雁雁 陈天文 安吉莉·芭雅妮 许家乐 Peter Wee Jo Ku
导演:陈哲艺
语言:
年代:未知
简介:家乐(许家乐饰)是个聪明却调皮捣蛋被学校视为头痛份子的小孩,怀孕的母亲(杨雁雁饰)每天在公司和家事两边忙碌分身乏术的情况下,还会接到学校的抱怨电话总是相当无奈,最后只好找来菲律宾女佣泰莉(安吉莉·芭雅妮AngeliBayani饰)来帮忙家事和照顾家乐。一开始相当排斥泰莉的家乐利用各种机会欺负她,但是为了要养家活口的泰莉只能努力在这个家庭里生存。家乐因为爸妈各自烦恼着自己的事情无暇关注他的情况下,让家乐和泰莉两人逐渐产生越来越深厚的感情,但是小小年纪的家乐却没有发现家庭风暴也日趋严重……而这是1997年,亚洲金融危机正在悄悄影响这个国家……
备注:已完结
类型:剧情片
主演:Choi Eun-Hee Byeon Ki-Jong Yoo Mi
导演:尹龙奎
语言:韩语
年代:未知
简介:Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.