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备注：已完结
类型：剧情片
主演：加里·格兰特 英格丽·褒曼 克劳德·雷恩斯 路易斯·卡尔亨 莱茵霍尔德
导演：阿尔弗雷德·希区柯克
语言：英语
年代：未知
简介： 二战刚刚结束，莉亚（英格丽·褒曼 Ingrid Bergman饰）作为战犯的女儿被美国联邦调查局相中，利用她对父亲罪恶的负疚和其父在纳粹阵营内的关系网络，深入调查纳粹首脑契巴斯（克劳德·雷恩斯Claude Rains饰），获得情报将其定罪。联邦调查员迪奥（加里·格兰特Cary Grant饰）在与莉亚合作的过程中，深深爱上这个迷人的姑娘。然而二人感情还是要服从国家利益，因此他将私情搁置一边，忍痛让莉亚成为契巴斯身边的女人。莉亚深深失望的同时，也在契巴斯的生活中充当了间谍的角色，处于危机四伏的环境当中。 等到莉亚终于发现了契巴斯的关键情报，不料却被契巴斯发现了自己的真实身份。然而，契巴斯也有自己投鼠忌器的顾虑，为了置莉亚于死地，契巴斯设计了一个不动声色的计谋。莉亚境况堪忧，间谍计划悬念重重。
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备注：已完结
类型：剧情片
主演：赖纳·博克 阿尔布雷希特·舒赫 尤韦·普罗伊斯 索斯藤·默滕 Roma
语言：其它
年代：未知
简介： 六十岁的沃特·肖尔是一位强拆公司的搬运工人，也是老板罗兰·格罗恩的拆迁公司里最勤恳、最忠诚的员工。格罗恩谋划了一次涉及家族洗钱活动的拆迁，为此，市中心公寓楼的住户都将被驱逐出去，然后将楼盘以巨额利润重新出售。然而，一名最后剩下的住户拒绝离开他的家。沃特惊讶地发现这个顽固的年轻人是几十年前被他抛弃的儿子。沃特并没有表明自己是他失散已久的父亲，但他试图接近已经成年的儿子扬和扬的家人。当他意识到格罗恩和这单生意的危险性时，他已深陷其中。他想帮助扬远离危险，却以失败告终。为了帮助儿子和自己走出困境，他不仅要面对邪恶的老板，还要面对自己的过去。
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备注：已完结
类型：喜剧片
主演：Charlie Tan 葛米星 Irene Ang 林继修 Neo S
导演：巫培双
语言：国语
年代：未知
简介： The plot revolves around Phua Chu Kang (Gurmit Singth) being persuaded by his mother Ah Ma (Neo Swee Lin) to bid for a contract to renovate the Heaven Can Wait old folk's home owned by the unscrupulous Lim Lau Pek (Henry Thia). Although he is not sure why Ah Ma wants so badly for him to get the job, he agrees to do it anyway when he finds out that his arch-rival Frankie Foo (Lim Kay Siu) is also bidding for the same contract.
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备注：已完结
类型：喜剧片
主演：弗雷德里克·贝尔 朱莉·德帕迪约 阿迪勒·侯赛因 友兰达·梦露 汉斯·
导演：埃里克·格拉韦尔
语言：法语
年代：未知
简介：Aglaé Lanctot, 25-years-old, is as insecure as can be. As a result of being 'brought up' by an irresponsible mother and by an absent father, she can now find her balance only in a methodical life and a regular, well-defined job. For instance in being the most perfectionist vehicle crash test worker ever. So imagine her dismay when she learns that her factory is going to be relo...
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备注：已完结
类型：纪录片
主演：Janette Butlin Bridget Convey Simon
语言：英语
年代：未知
简介： Terminally ill Janette wants to die with dignity, but it’s not possible in the UK, where she lives. She therefore decides for assisted suicide. She must plan her journey to Switzerland before her rapidly advancing disease makes it impossible. The question of whether we own our own lives or whether they own us is the primary impetus behind this documentary portrait, which shows that death can be good despite the sadness that always accompanies it. The film, with dramatically suggestive camera work, uses feature film techniques, and engaging characters and stories of their loved ones are interwoven with Janette’s story. "Let's talk about death because we will all die someday. The question is: can we choose when and how? I think we should." T. Krupa
