备注:已完结
类型:剧情片
主演:扬·利比切克 瓦茨拉夫·巴布卡 约瑟夫·贝克 Karel Belohr
导演:埃瓦尔德·朔尔姆
语言:其它
年代:未知
简介:This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.
备注:已完结
类型:恐怖片
主演:斯蒂夫·古根伯格 伊丽莎白·麦戈文 伊莎贝尔·于佩尔 保罗·希纳尔 卡
导演:柯蒂斯·汉森
语言:英语
年代:未知
简介:泰利(斯蒂夫·古根伯格 Steve Guttenberg 饰)是一名年轻有为的建筑师,私底下,他一直和老板的妻子西维亚(伊莎贝尔·于佩尔 Isabelle Huppert 饰)有一腿。这一天,泰利约西维亚来自己家中约会,正在两人享尽鱼水之欢时,西维亚发现卧室的后窗对面,一名女子惨遭歹徒强暴。 因为害怕自己和泰利的奸情败露,西维亚不同意报警,可没过多久,西维亚便惨遭杀害。不仅如此,泰利还成为了这起事件的主要嫌疑人。为了替情人报仇,同时也为了替自己洗清冤屈,泰利找到了事件的受害者丹尼斯(伊丽莎白·麦戈文 Elizabeth McGovern 饰),两人决定联手,将真正的凶手捉拿归案。
备注:已完结
类型:喜剧片
主演:杰夫·布里吉斯 Adam Bryant 保罗·隆巴迪 戴维·海德·皮尔
导演:特瑞·吉列姆
语言:英语
年代:未知
简介:杰克(杰夫·布里吉斯 Jeff Bridges 饰)曾是一名电台主持人,一次意外中,他的不当言辞导致了了一个名为埃德温(克里斯蒂安·克莱门松 Christian Clemenson 饰)的男人精神崩溃举枪乱射,酿成了多人伤亡的惨痛后果,心中充满内疚和痛苦的杰克从此陷入了人生的低谷无法自拔。 杰克结识了名为帕里(罗宾·威廉斯 Robin Williams 饰)的流浪汉,令杰克没有想到的是,竟然是自己造成了帕里的疯疯癫癫。原来,帕里曾是一名学富五车的教授,他的妻子正是埃德温枪下的冤魂,帕里无法承受失去妻子的痛苦,发了疯。为了弥补自己的过失,杰克决定帮助帕里。最终,杰克不仅撮合了帕里和女秘书莉迪亚(阿曼达·普拉莫 Amanda Plummer 饰),还成功的令帕里恢复了理智。
备注:已完结
类型:泰剧
主演:吉拉育·拉翁马尼 娜拉·帖努啪 娜塔扎瑞·抔勒威查固 淳妮苷·内醉 苏
导演:内详
语言:泰国语
年代:未知
简介:J-Pop回来了,在泰国比以往任何时候都受欢迎。许多年轻女孩都梦想加入这个流行女团。她们想成名,想成为焦点,想要穿上最酷的服装在众多观众面前表演。但出道并不容易,这些年轻女孩或“女团成员”得严格遵守规则长达6年。同龄人的生活与她们无关,约会更是奢望。他们日夜排练,必须彻底摆脱过去的自己,并重新营造“无辜的邻家女孩”形象,尽力得到粉丝认可。法姆正要去参加流行女团“Newtype”的试镜,但她另有目的,想借此机会查明曾是该团成员的妹妹法恩的真正死因。她有理由相信自己的姐姐遭到了Newtype其他成员的霸凌。法姆在朋友的帮助下成功将自己打造成无辜邻家女孩的模样,后来成功进团。
备注:已完结
类型:爱情片
主演:威廉·霍尔登 索菲娅·罗兰 特瑞沃·霍华德 奥斯卡·霍莫尔卡 基隆·摩
导演:卡罗尔·里德
语言:英语
年代:未知
简介: 威廉 霍尔登 迈克尔 凯恩 索菲亚 罗兰 基尔龙 穆尔 詹姆斯 海特 科林 戈登 布赖恩 福布斯 奥斯卡 霍莫尔卡 特雷弗 霍华德 此片为1958年拍摄于英国,全片采用黑白胶片进行拍摄,使影片带有一份特殊的感伤。 二战期间,德国潜艇大规模的对盟军的运输车进行攻击,目的是使美国的资源无法运输到英国从而使应该陷入内需匮乏。本片的主人公是一位被盟军征用的而来运输车船长,他的任务就是将在公海上被德军潜艇击毁的船长拖回,并救助当中的船员,虽然简单但是这却是十分危险的工作。 主人公的宿舍便是他的前任同事,宿舍里还住着他的妻子。 (题外话:在战争的时候很多战士的妻子、女友在失去自己的丈夫、恋人后多会有些堕落的和成为性尤物,这点在二战的欧洲地区很突出,但是一直没有被历史所正是。) 故事情节虽然老套的让2人相恋,虽然片尾2人分开了,但是片尾的情结告诉我们他们最终是会在一起的。~
备注:已完结
类型:剧情片
主演:威尔弗里德·布兰贝尔 Terry O'Sulliva
导演:特伦斯·戴维斯
语言:英语
年代:未知
简介:In sepia tones, the film moves back and forth among three periods in Robert Tucker's life he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..
备注:已完结
类型:恐怖片
主演:史蒂文·布兰德 丹尼尔·布兰 Jolene Andersen
语言:
年代:未知
简介:某个晴朗假日,美国青年尼克(Jay Gillespie 饰)和好友史蒂文(Nick Eversman 饰)驱车穿越国境线,打算前往墨西哥的提华纳寻找一次绝佳的艳遇。他们很快便锁定了一个性感尤物,但是突如其来的意外让二人的狂欢设想灰飞烟灭。正当他们垂头丧气之际,某当地人送给二人一个精致的魔方。尼克和史蒂文的命运就此改写,他们也有如人间蒸发一般消失。 尼克和史蒂文的失踪给各自家人莫大的打击,在一次家庭聚会中,艾玛(Tracey Fairaway 饰)从两人的行李中找到了那枚魔方,而浑身是血的史蒂文也突然出现在房间内。家人们对此感到惊奇喜悦,却不知道丁头鬼的魔爪正慢慢伸向他们……
备注:已完结
类型:剧情片
主演:萨姆·德·格拉斯 Francelia Billington 埃里克·冯
导演:埃里克·冯·施特罗海姆
语言:英语
年代:未知
简介:Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.