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备注：已完结
类型：泰剧
主演：艾丝特·苏普莉拉 亚瑞克·阿莫苏帕西瑞 Nathalie Duchei
导演：未知
语言：其它
年代：未知
简介：泰国将翻拍经典韩剧《my girl》，主演为泰国女星Esther和男星pae，阿南达担任制作人
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备注：已完结
类型：恐怖片
主演：Jason Behr Mia Blake David Fane Rob
语言：英语
年代：未知
简介：一个男人走下幽暗的阶梯，找到了蜷缩在阴暗的角落的孩子，抓住他的手，撩起了男孩的袖子——那里有 一个纹身：毒蛇和六芒星。 “天哪，这是魔鬼的象征。”男孩的父亲痛苦地说，随后抽出了一把刀，一边祈祷着一边将男孩手上 的皮削了下来。 已经成年的男人从梦中惊醒，他的左手还留着当年的伤疤，不过别的地方已经满是纹身。他拿起一个 工具箱走出了房间。 豪宅，中国人，房间的门口放着一尊插满香的香炉，床上躺着一个似乎已经奄奄一息的孩子。 “他需要一个医生。”男人这么说。 “他需要一个纹身。”中国人将一个装满钱的信封给了他。男人坐下，拿出工具，开始在男孩的胸口 纹，纹完之后这个男孩看上去似乎好些了。 纹身博览会，男人看见了一个吸引他的女人，紧随而去，进入了一个萨摩人的纹身帐篷，里面的人正 在用最古老的方法纹身，没有电动的针，只有一把小小的类似筢子的刀，随着一下下敲击，鲜血流...
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备注：已完结
类型：纪录片
主演：本尼迪克特·康伯巴奇 Benedict Cumberbatch Mik
导演：马克·布朗罗 Chiara Bellati Jonathan Clay
语言：英语
年代：未知
简介：1.海洋岛屿它们非同的隔绝产生了地球上其它地方所没有的一些最稀奇、惊人和不安定的生存例子，从撕扯掉椰子的大蟹，到把猎物钉在匕首般爪子上食肉毛虫。人类文明同样不同。五旬节岛上的人们从高高的木制脚手架上纵身鱼跃来庆祝他们每年的收获，只用丛林藤本植物来阻止坠落。在微小的恩浮塔岛，或许是地球上最僻远的人类社会，当地人为了生存完全依赖他们的庄稼和捕猎。2.漂流者在南太平洋并没有荒岛这一回事。它们也许是地球上最偏僻，但2万余个岛屿个个都被开拓了，从新几内亚，天堂鸟的家园，部落野蛮的成人仪式将年轻的战士变成鳄鱼人，到斐济，法属玻利尼西和夏威夷。这是最后漂流者的故事，从咸水鳄和巨鳗到冠鬣蜥和怪蛙，为了成功不顾一切到达数千哩远的岛屿。这些旅程是很好的功绩。据估计每6万年才有一个物种到达夏威夷。难以相信，这么多的开拓者到达这些受到大自然像龙卷风和海啸接二连三粗暴打击的岛屿。南太平洋首次人类，玻利尼西亚人的航行，难以忘怀。这些旅程的确是最伟大的探索行动，甚至可以断言，他们永远地改变了南太平洋的大自然。3.蔚蓝大海大部分地区是偏僻的，蓝色的旷野的南太平洋是海洋沙漠。海洋中生活着许多动物，它们中有鲨鱼，鲸鱼和海龟，不得不行进异常的距离去生存。虎鲨航行数百哩去享用刚会飞翔的信天翁幼雏的盛宴，每年，抹香鲸从南太平洋的一边旅行另一边去觅食和交配。它们的旅行以悲剧为结局。但南太平洋并不全是沙漠。新西兰超级富饶的海岸支撑着庞大的特技专家-海豚群，它的珊瑚礁是地球上最丰富多样的，没有几个地方的野生动物比古怪的加拉帕戈斯群岛更丰富的，是热带企鹅和冲浪高手海狮的发源地。片中始终贯穿着最大的海难故事-令人鼓舞的莫比·迪克的事件（白鲸记）。揭示出在这片看似蔚蓝的大海里巨大的生存挑战。4.海洋火山目击地球上最大的海洋中的岛屿出生，成长和死亡。数百万年的历程浓缩在1小时，展现海底火山爆发时难以忘目的影像，熔岩流在海浪下面爆炸。路和房子被熔岩流埋葬。从狂暴开始显露无比丰富的珊瑚礁供养着大群的灰真鲨和大蝠鲼。南太平洋升起的陆地同样为一些非常陌生的动物带来生命，从能在热带冰雪中兴旺发达的吸血虫，依靠火山泉孵蛋的塚雉，到被珊瑚山截留的大群水母群。5.奇异的岛屿在南太平洋的孤岛上有着无战斗力的鹦鹉，翻地觅食的蝙蝠，大石龙子和在树上的袋鼠。野生动物以奇怪的方式演化。在岛上生存可能要付出高代价，对于新来的物种，全都想挣脱这地狱。这里展现出一个难题：为什么动物能完美的适应了岛屿生活，轻易地放弃了灵魂？答案由生存在新西兰海岸外的小岛上，某些不太可能存在的动物来揭示。人类历史上的活动区域进一步表明，无论它曾是否田园般的，南太平洋岛屿上的生命从未远离过灾难。6.脆弱的天堂南太平洋仍相对健康，鱼群丰富，但这是个脆弱的天堂。国际捕鱼渔船为鲨鱼，信天翁和金枪鱼敲响了严重的警钟，对这片美丽的大海还有其它的暗藏危险。这一集注视怎么来维护海洋及其野生动物。从该地区人类历史的诸多迹象表明，田园般的，充满生机的南太平洋从未远离过灾难。
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备注：已完结
类型：喜剧片
主演：Heather Ann Davis Eric Callero Fran
语言：英语
年代：未知
简介：一个名叫Stella的年轻女子被迫在“自我”的吸血鬼Edward和“好色”的狼人Jacob间选择。哪个男孩能满足Stella更亲密的需求得到演出。期盼大量的笑话，不适合年轻的Taylor Lautner影迷。 A comedic spoof based on the worldwide phenomenon, The Twilight Saga. Raunchy hilarity ensues when Bella's life becomes threatened by the vengeful Victoria and her gang of bloodsucking newborns, and Edward and Jacob must put aside their differences in order to save Bella's life. The love triangle of mortals, vampires and werewolves must be cast aside when the beloved Bella is in danger. Again. This time a gang of bloodsucking newborns threatens her life, and the two loves of her life are forced to put their differences aside to save her. Again. From the director who brought you “The 41 Year Old Virgin Who Knocked Up Sarah Marshall and Felt Super Bad About it” comes the new wildly funny spoof of the latest films from the “Twilight Saga” “New Moon” and “Eclipse”. Raunchy hilarity ensures when Bella’s life becomes threatened by the vengeful Victoria and her gang of blood sucking newborns and Edward and Jacob must put aside their differences in order to save her life From the director who brought you “The 41 Year Old Virgin Who Knocked Up Sarah Marshall and Felt Super Bad About it” comes the new wildly funny spoof of the latest films from the “Twilight Saga
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备注：已完结
类型：喜剧片
主演：Matthew Broderick Jeanne Tripplehor
导演：沃伦·莱特
语言：英语
年代：未知
简介：Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
