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备注：已完结
类型：科幻片
主演：哈莉·贝瑞 帕特里克·威尔森 约翰·C·布莱德利 迈克尔·佩纳 唐纳德
导演：罗兰·艾默里奇
语言：
年代：未知
简介：影片讲述月球被撞出固有运行轨道后，开始向地球直冲而来，一群乌合之众被组队派遣完成一次不可能的任务：抵达月球表面，揭开月球偏离的背后秘密，拯救危在旦夕的地球。然而这些人首先要与一种人类未知、不可思议的力量作斗争。威尔森饰演一位名誉扫地的前美国国家航空航天局宇航员，他的最后一次任务以失败告终，他掌握了即将发生的灾难的线索，普拉默饰演他的儿子。加德饰演一个推断出月球已经脱离了其轨道的古怪天才。贝瑞饰演一名宇航员出身的美国国家航空航天局局长，她之前的任务为这场大灾难提供了线索。狮门影业预计将于2021年在北美发行该片。
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备注：已完结
类型：泰剧
主演：Zee Pruk Panich Tommy Sittichok Pue
导演：Kittiphat Jumba Thanamin Wongskulphat
语言：
年代：未知
简介：阿棕（司提崇·皮叻陂TommySittichokPueakpoolpol饰）的妹妹索尔（薇琳萨兰·唐绮苏瓦妮VeerinsaraTangkitsuvanich饰）是一个腐女，一天，阿棕震惊的发现，自己竟然被妹妹写进了她所创作的BL小说里，阵阵作呕的阿棕发誓，小说里的这些事情永远都不会发生在他的身上，直到有一天，阿棕遇见了名为萨法（甘·克里查纳潘JimmyKarnKritsanaphan饰）的男孩。图图（苏帕蓬·尤多坎扎纳SuppapongUdomkaewkanjana饰）曾经是衔着金汤匙出生的富家大少爷，却因为家道中落而沦为穷小子。菲特（李海海ZeePrukPanich饰）是认为有钱就可以为所欲为的富二代，当两个人相遇后，他们的价值观产生了激烈的冲突，甚至碰撞出了激情的火花。
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备注：已完结
类型：欧美剧
主演：阿尔迪斯·霍吉 詹妮弗·威格莫尔 梅赛德斯·德拉泽尔达 莎伦·泰
语言：英语
年代：未知
简介：《亚历克斯·克洛斯》是由罗伯·科恩执导，泰勒·派瑞、马修·福克斯、瑞秋·尼科尔斯主演的惊悚动作电影，于2012年10月19日在baoshu8.com美国上映。该片根据詹姆斯·帕特森的同名系列小说改编，讲述了对犯罪心理颇有研究的亚历克斯·克洛斯博士与外号“毕加索”的连环杀手展开了一场斗智斗勇的殊死较量
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备注：已完结
类型：电影
主演：Hannelore Hoger Alexandra Kluge Edg
语言：德语
年代：未知
简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
